Editions > Craig Wylie > Still Life with Apples




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Artist: Craig Wylie

Title: Still Life with Apples



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Product: Edition Print

Edition Size: 150

Finished Size cm: 87 x 71

Finished Size ": 34 1/4 x 28

Image Size cm: 66 x 53

Image Size ": 26 x 21



Code: 1015

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 Currency: £ € 

Price:
£295.00



Further information

Limited Edition giclée of original oil on canvas by Craig Wylie. Signed, titled and numbered by the artist. Edition of 150. This image is printed on a traditional acid-free 310gm² artist's paper with a China-white, textured surface.

Craig Wylie

Craig Wylie was born in 1973 in Masvingo, Zimbabwe. He studied Fine Art in South Africa graduating with a distinction in 1996. Having established his reputation in Africa as a painter of exceptional talent and skill, Craig moved to England in 1998, and within a year held his first London exhibition at the Park Walk Gallery in Chelsea, where he continues to be represented. His work had been exhibited in several significant exhibitions and galleries, including the prestigious Everard Read Gallery in Johannesburg.

Having lived most of his life in Southern Africa, light and space is an important part of his work. Much of Craig’s work to date is concerned with the body and, more recently, he has expanded his subject matter to cover cityscapes, landscapes and seascapes. However, still life work has always been of particular interest to Craig, something he describes as deceptively simple. “In the face of much contemporary art it seems anachronistic, probably is. Somehow I’ve managed by attention to nuance of colour and detail to conjure up work which has a sort of robust delicacy. The objects involved seem to have a kind of shining light within them, personified even.” Craig’s interpretation of these traditional and often intimate subjects allows him to create paintings of unique contemporary freshness that demonstrate his almost effortless virtuosity and sophistication as an artist.

With this particular series, Craig wanted something quite rigorous in design hence the general centrality of each piece. “The slightly off-centre fruit bowls was accidental at first but it adds a quirkiness I appreciate. The background colour was chosen as a counterpoint to the colour of the fruit, the flatness highlighting the descriptive line and form of the foreground objects.”

Selected Exhibitions

London Art Fair, Islington, 2004
Jonathan Cooper, London 2003
Neuer Kunstverein, Aschaffenburg, Germany 2003
Art London, Duke of York Headquarters, London, 2003
Royal Institute of Oil Painters, Mall Galleries, London, 2003
Royal Institute of Portrait Painters, Mall Galleries, London, 2003
Jonathan Cooper, London 2002
Selected Awards
Hunting Art Prize, London Region Painting Prize, 2001



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